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2024-12-14 11:34:24

The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.From many angles, "falling red is not a heartless thing, but turning into spring mud is more protective of flowers" all shows high artistic value, deep thinking and far-reaching influence. It is like a bright pearl in a literary treasure house, shining with wisdom and spiritual brilliance, which deserves people's repeated taste and in-depth understanding.


Image and ideographic levelIn a deeper inspirational sense, "falling red is not a heartless thing, but turning into spring mud to protect flowers" reflects a belief of sticking to the original heart and perseverance. No matter how the external environment changes, no matter what difficulties and obstacles we encounter, just as falling red is always concerned with the growth of flowers, we should also stick to our original beliefs and pursuits and not be shaken by the temporary wind and rain. On the long road of pursuing dreams, we may leave the familiar "branches" and bid farewell to the comfortable environment, but the initial intention of bringing beauty to the world and realizing our own value should be deeply rooted in our hearts like the instinct of turning red into spring mud, and become the source of power for our continuous progress and dedication. It encourages us to keep a firm belief in the face of the ups and downs of life, to move towards the established goals, to walk step by step with dedication and dedication, and to prove the toughness and value of life with persistent efforts.


The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning.The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.

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